Preservation of Bangladesh's Cultural Heritage (Folk and baal/Saint Songs of the Haor Region

 Preservation of Bangladesh's Cultural Heritage (Folk and baal/Saint Songs of the Haor Region

Pally Bl Samaj Unnayan Sangstha (PBSUS) is a socialau not-revenue driven affiliation who takes an enthusiasm for various social change issues. It relates the Folk skilled worker/Baul experts in different social and financial activities through sorting out musical tasks highlighting distinctive social issues. 

The three fifth of masses Bangladesh lives in the nation ranges where people are especially inclined toward individuals and baffling music. It's definitely not hard to get in touch with them through the general population and Baul song for care rising. 

Bangladesh's routine society musics like baul, batiali, bawaiya, lalon geeti, among others address their rich social legacies, and in addition talk the lives and jobs, traditions, social orders, love and affection, certainty, functions, and customs of this amazing civilisation. 

People here are usually to a great degree liberal and refined. For a significant period of time, people of this territory softly managed and developed such musics, which have been able to be irreplaceable parts of their lives. They routinely get the opportunity to be asylum for the devoted, desperation striken and disaster impacted people of this country. Among each one of the regions of the country, its haor belt (haor is a wetland natural framework in the North-eastern bit of Bangladesh which physically is a dish or saucer-shaped shallow wretchedness, generally got back to a bog. The haor dish is an all around basic wetland organic group, which is orchestrated in Sunamganj, Habiganj and Moulvibazar, Sylhet, Kishoreganj, Netrokona and Brahmanbaria area of Bangladesh) is particularly prevalent for its kin social legacies. Different sufi-heavenly individuals and bauls since times have propelled the custom of society tunes of the haor district. Shockingly, with the convergence of overpowering implied forefront tunes and social domain in the country, its rich society tunes are getting disparaged. 

UNESCO in 2005 has loved Bangladesh's 'Baul songs' in its Representative List of the Intangible Cultural Heritage of Humanity. A fresher window of chances has been put forth through this expression. A few exercises, by and large in individual breaking points and in light of broad number of TV channels bauls are getting some importance, yet such action are generally formal in nature. 

The brief expected purposes of the endeavor are to accumulate different baul tunes which are never assembled and shielded from the haor belt of the country; convey the assembled tunes for more broad group; enlist basic baul craftsmen and train them on the necessity for defending this rich tradition; and make baul tunes more conspicuous among the youths and gatherings through stage execution. 

It is predicted that through the intervention said in this expect depiction, the Bangladesh haor society will be vigorous and will stamp Bangladeshi society in outer world.